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Rendez-vous of Apaches. Bonneteur and pickpocket. Theft at the scramble. Reticle shooter. Shoplifting. Pepper stripper. The coup of Father François. Murderous burglars. The cellar of Les Halles. The roundup.

Paris is a city where effervescence is dangerous for city dwellers, who have become nothing more than "nervous machines". Two eminent psychiatrists, one French and one American, decided to administer a sedative to all Parisians, proceeding by arrondissement, which they injected in single, double or triple doses. Soon, the whole of Paris was injected. Calm, good humor and kindness returned, but 11 refused to be treated and remained the only Parisian not to have been treated.

Documentary on popular French singers spanning over three decades (60s, 70s, 80s).

Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint Bartholomew Massacre. Andreas Kriegenburg places these timeless conflicts of love and religion in an immaculate setting in which the costumes appear yet more flamboyant and the victims’ blood more violently red.

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From the cameras in Nice to the Chinese repression of the Uyghurs, this survey draws up a global panorama of the security obsession, with one chilling observation: digital totalitarianism is for tomorrow.

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The Marriage of Figaro is one of the most emblematic operas in the repertoire. Brahms spoke of it as a “miracle” and the Countess' complaint still resonates today as one of the most heartbreaking musical pages. It was by resuming Beaumarchais' comedy, which caused a scandal in Parisian society, that Mozart and his librettist Da Ponte began their first collaboration. The play was banned by Joseph II in 1785 at the Vienna Theater. Is it because it exposed too much to the forefront the contradictions of an already faltering regime, ready to collapse with the French Revolution? Netia Jones preserves the very essence of Beaumarchais' play by questioning human relationships with humor but not without mischief, in a production which confuses reality and fiction to the point of asking, like the Count: "Are we playing a comedy?" »

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